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When River Phoenix fatally collapsed from a drug overdose on the sidewalk outside the notorious Viper Room on Halloween 1993, he was a 22-year-old Oscar-nominated star of the classic “Stand by Me” with a brilliant future in the making. As Gavin Edwards reveals in his new book, “Last Night at The Viper Room: River Phoenix and the Hollywood He Left Behind,” the actor was planning to quit moviemaking. That night he headed out into the Hollywood scene with his younger brother, Joaquin, and sister, Rain.First, they headed in the hills for a party where Leonardo Di Caprio, dressed in costume as Johnny Hollywood, “a generic hipster actor,” spotted River in the crowd.But leading up to that night, friends and movie colleagues saw Phoenix’s descent—the graying of his complexion, the changes in his sweetly hippie-ish disposition—and warned him about addiction. booths turned into prison cells; another might find the club converted into an airplane; another would have the black walls covered with aluminum foil.In a selection from Wednesday nights became theme nights at the Viper Room, called Mr. One Wednesday might be “Women in Prison” night, with the V. These elaborate evenings were money losers but fun for the club staff.) to be the bachelor. When Reedus’s choice was revealed, “even though it was all in jest, you could see her vulnerability.At 43, she has been famous, or at least recognizable, for more than 30 years, having been acting professionally since 1980.
It's what everything springs out of — that trust, and that mutual respect. There are performers — not necessarily the movie stars, but the actors — who become unknowing touchstones of our lives because we grow up with and live alongside them: Plimpton is one of those.
Along the way, Plimpton has been nominated for three Tony Awards and three Emmys (winning once, for Best Guest Actress in a Drama in 2011, for her portrayal of Patti Nyholm, a maddening, occasional courtroom foil for Julianna Margulies' Alicia on The Good Wife).
She has been in more than 20 movies, both big and mainstream (The Goonies, Parenthood) and indie (I Shot Andy Warhol, Eye of God).
The two of them would gaze awestruck at Redford and Poitier, River said.
“We’d think, ‘These guys are like national monuments, like the pyramids.’ And that poses the question, ‘But what are we? River would pinch the fat on Aykroyd’s waist or blow on his bald spot.